Saturday, July 18, 2015



Narayan is a project that is coming from the vicinity of of Sisak,Croatia formed in 2004.First musical expression appeared as a simple desire to create something different in music! Turning thoughts from everyday life, own feelings and attitudes led to the first material that is in some way call for enlightenment of human society, a call that says: "STOP THE TESTING", which is based on Narayan's attitude,also in music and video expression! In his expression Narayan is moving mostly from dark ambient atmosphere, to screaming noise associated with industrial sense. As the base of the musical performance is video that shows a very realistic world of today, his stupidity, emotions and distractions. After the first album, "The Faces of Vivisection", followed more inspired by the world and the psyche of today, the call to self-destruct! The physic editions were on the compilation of Croatian underground musicians, "A Silent Tide", remix of the Mexican experimental musician "Ordo Lacrima Christi 'collaboration project “Very Little Tiny Cups” with three other Croatian artists (Igor Još,Igor Mihovilovic and Dragan Pajic Pajo,and a album release “Annihilation of Life” on Croatian underground label “Nihiltrone” ! Presenting his work through the Internet network Narayan comes to how good and bad reviews, conviction that his work is just a cover for the publicity! Also through the Internet network reaches out to new acquaintances and encouraged with new experiences he is organizing a mini-festival of experimental electronic music in Sisak, called "Sound Abuse". With "Sound Abuse" mini-festival he is coming up with new international contacts which allows him to travel outside the Croatian borders, and also in Croatia,guest apperance on a local radio station and also at WSUM radio station in Madison, Wisconsin. Live performance consists of musical part following disturbing video clips,and that’s all about raw reality in his performance!He is one of the founders of U.A. Records.

Thursday, May 21, 2015



Enter a dusty, damp room that was once a stable, in the year 2000. Inadvertently, one, A Stunned Visitor (Marko Marciuš), leaning over an electric guitar and one, Kramar Zaibatsu, in front of a rusty computer and a broken tape recorder, set the foundations of the aggregate that today bears the name of Far Go Traders. The music is specifically targeted for consumption in stores, lobbies, fast food joints and similar ritual structures. The purpose being to mesmerize as many sentient lifeforms in the vicinity and subsequently deprive them of their ability for critical thinking. They are mostly driven by the desire for money and glory.
Marko Marciuš, formerly known as Visitor Q etc., underwent classic musical education and studied the guitar by playing in bands and similar forms of co-operation. When not playing, he writes short stories and novels, of which some have been published. The rest of the time, he can be found wandering the Wastelands, where nothing can surprise him.
Kramar Zaibatsu, also known as Hiram Abiff, Grampa and Captain Paranoia, is most of the time involved in rearranging 0-s and 1-s. At an early age he was discharged from music school, under the rationale that he posseses no inborn sense of rhythm. With the help of machines he bridged his amusia and is actively involved in the arrangments for the coming reign of our new synthetic overlords.

Thursday, April 2, 2015

Underground Alliance VA EP 02


This is second of our VA EP's divided into genres. This part is oriented on ambient,downtempo,experiment..etc.
As usual, our VA EP's will feature many producers and artists from region of former Yugoslavia, who will trough our VA EP's present their work.
Here are producers who featured on this EP:

Real name Miroslav Jurić was born on the 24th of December 1987 in Banja Luka. In 1993. his family flead to Croatia because of the Bosnian war. At an early stage of his life he began to show interest in music. From the age of 6 he started singing in choirs and he sang in choirs untill he turned 14. Later on he learned how to play the guitar, keyboards and even some national croatian and bosnian instruments.
In High School his love of diverse directions in music and idols such as Tool, Aphex Twin or Radiohead lead him to the year 2002 when he became the lead vocal of a Croatian progressive metal bandcalled Work In Progress.
In the meantime, since 2004 , he started working on electronic music. For he was experimenting with various styles, his direction could be described as progressive electronica or something that unites IDM, glitch and breakcore.From the many musicians that have influenced him for years, the ones that stand out are Amon Autechre, Amon Tobin,
Venetian Snares, Art Of Noise and Pan Sonic. [Plus many many more.]
He also self-released two albums, selftitled HeadHunt3r and ('o4 - '10) CrapCollection & [5] Tags In Particular,which are finding their way to the listeners. Some of the promotion was done by Aaron Funk aka Venetian Snares on his facebook fan-page, which helped a little bit with finding new listeners.Some of his tracks already became a part of certain DJ sets and complications [such as "Under Water Grounds" and "Kuća Obijesti I Bluda"] and his entire first album run on the waves of Croatian radio stations to far-away radio stations in Alaska.
Now, at the end of April, he's about to do re-release of HeadHunt3r album on TAOPUT, side label of Olivйr Dombi's @dx records. Besides that, his track "Kuća Obijesti I Bluda" shall be released
on VA compilation for Underground Alliance Records.

Recently I'm into slow things, that is experimental fusion between fast and unusual sounds with slow and unusual beats. I was into Drum and Bass earlier, but I like to experiment and make new, dark, melodic stuff right now. Hoping that I will make 4 new songs until end of this year.

Soundcloud -

Dagfin Kristof
Experimental project coming from the city of Sisak,Croatia.Making music since 2005.

Ogi feel the Beat
Producer/beatmaker from city of Paracin, Serbia.

Vacus Secreta
Dark ambient project with a scent of industrial and a shadow of powernoise. It's purpose is to be as raw and harsh as well as calm and soothing, hopefully at the same time. Drop all curtains and walls, transcend the genres and labels, listen and decide for yourself.

Cover design : Jovica Šević

Sunday, February 15, 2015



His first steps in sirious production was in 2004. First sirious works Dangerous Beat presented at the end of 2006. At the time he worked on the repeatative techno from the turn of the century , comercial hard trance and softer breakbeat. Later his sound was evolved in the wide range of music sound from ambiental sound, space notes, breakbeat hardcore, trip hop, dub, techno of earlier 90's, IDM, jungle, acid, breakcore, speedcore, various experimentation and harder noise. He is part of UA label and association. At the began of 2010. he started to play traditional jamaican drums and percussion and now he also also study about west Africa and oriental instruments.

Dangerous Beat Facebook page:
Dangerous Beat Soundcloud page:

Thursday, December 18, 2014


Thursday, November 13, 2014



GEL [GenomElectronics] is an electronic duo from Belgrade, Serbia. Working underground since 2013.

GEL on soundcloud:

GEL on facebook:

Friday, October 17, 2014

Kℾ∆♏∆ℾ Z∆‡Ɓ∆†$U-ƁROKЄɴ ϨPЄЄCH †H▲† ‡ C▲ɴɴO† UɴđЄRϨ†▲ɴđ

Kramar Zaibatsu is an artist with a kaleidoscopic outlook on his music, a truly experimental performer that refuses to get stuck in a box, not only musically and conceptually, but also aesthetically, as testified by the parade of monikers he adopted throughout his varied career. Few artists on the music scene are willing to take such chances with their art.

His work even defies personal intention, as Kramar approaches his performance with a feel aching to automatic writing, bypassing rationality and exploring the hidden layers of consciousness on a deeper level.

Sonically, Kramar set out to deliver a blend of progressive, electronics, glitch, ambient and much more, as portrayed on his debut album "The Dark Enlightenment", which reads like an unpredictable flow of music, better enjoyed when listening to the album from start to bottom.

Find out more and let the tracks do the talking!